

AGNES AND HIS BROTHERS (yes that pronoun is correct -- Agnes, you see, is a transsexual) is almost three different films in one. Writer-director Oskar Roehler anchors his portrait of contemporary Germany by focusing on a trio of half-brothers who share the same father but different mothers. We first meet Agnes (Martin Weiß) as she recounts a tale about her mother to a older female friend (Fassbinder muse Margit Carstensen). Since she never knew her mother, Agnes isn't even sure if the story told to her by her father is true. We then are introduced to Agnes' two older brothers, Werner (Herbert Knaup), an ambitious and wealthy politician whose family life is rampant with strife, and Hans-Jörg (Moritz Bleibtreu), a meek librarian and sex addict who blames his father for many of his troubles. The brothers rarely interact in the film except for one sequence as they are driving to see their father (Vadim Glowna). While en route a bitter Hans-Jörg recounts his beliefs that the father sexually assaulted Agnes as a child and also threatened him as well. Angrily, he decides not to visit with their father and exits the car. Agnes and Werner continue with the visit and then their lives all diverge. Agnes' boyfriend, who holds a day job, becomes fed up with her night work as a dancer in a bar and throws her out of their apartment. She ends up being taken in by a older stranger (Carstensen). There's a brief reunion with her ex-wife and two children, as well an encounter with a former lover (American filmmaker Lee Daniels in a role that feels shoehorned into the movie). Agnes also faces a health crisis that is played out in a very minor key. Hans-Jörg's storyline revolves around his sex addiction and his compulsion to follow women into the restroom where he spies on them while pleasuring himself. He also attends a sex addicts group where another member suggest he audition for work in pornographic movies. After he is humiliated at work by an old girlfriend on whom he was spying, Hans-Jörg accepts the unlikely offer and ends up meeting his soul mate, but only after having a climactic encounter with his father. While Werner's political fortunes are rising, his home life is crumbling. His wife Signe (Katja Riemann) is unresponsive and cold. His teenage son Ralf (Tom Schiller) is sullen and spends his time growing marijuana and shooting videos (including a rather compromising one of his father). The actors all deliver strong performances, with Bleibtreu, Knaup and Riemann taking top honors. There are some missteps on Roehler's part, particularly where Agnes is concerned. Her encounter with her former lover isn't integrated well, nor is her sudden illness. Indeed, Agnes is given short shrift in the overall scheme of the film. There are also a number of plot strands left hanging -- which I ordinarily wouldn't mind since I'm not a big fan of Hollywood's penchant for spoon-feeding audiences with things neatly wrapped up. In this case, though, I would have liked a tighter ending. Rating: B - MPAA rating: NONE Running time: 115 minutes Viewed at Magno Review Two |





| © 2006 by C. E. Murphy. All Rights Reserved. |

| (Agnes ... und seine bruder) |