

After debuting at the 2004 Tribeca Film Festival and then traveling the circuit of festivals, JAILBAIT has reached theaters. The movie, written and directed by playwright Brett C. Leonard (a member of the LAByrinth Theater Company) is essentially a two-hander that stars Michael Pitt and Stephen Adly Guirgis as cell mates. Pitt portrays Randy, a youthful offender who ends up in a California jail, sentenced to 25 years for a minor infraction because it was his third felony conviction. He's assigned to the same cell as Jake (Guirgis) who murdered his newlywed wife when he learned she was cheating on him. The pair begin an uneasy relationship that eventually turns, well, that's the whole point and plot -- we watch as the pair engage in mind games with the expected results. There are times when JAILBAIT plays like a rejected episode of the HBO drama series OZ. Further compounding that reference is the presence of actor David Zayas, a former NYPD policeman turned actor who appeared in the cable series as a convicted murderer while here he's cast as a prison guard. Perhaps if he had been cast as Jake, the film might have been more interesting. For my taste, Guirgis just wasn't menacing enough as Jake. I never once bought him either as a killer or a sexual predator. Pitt's performance is equally problematic. When he first came on the scene, I was impressed with the actor but as time has gone on, he tends to fall back on the same shtick that he doesn't seem to be acting, just playing a slight variation on his persona. He's fast in danger of stealing Orlando Bloom's crown as the least charismatic actor working in movies today. When I read that Leonard was a playwright, I wasn't surprised. By design the film is mostly a two character, one set piece, something that would be cheaply mounted on the stage. The screenplay is talky and Leonard has his actors rely on silences that seem to drag on forever. Pitt stare blankly while Guirgis struts and tries to act macho, neither really achieving much of a characterization. Their shortcomings are put into relief by actress Laila Robins who briefly appears as Randy's mother. In a few short scenes, she etches a memorable character full of pain and remorse. For a few moments, JAILBAIT soars, but then it crashes when the action shifts back to the leads. Rating: D + MPAA Rating: R for pervasive language including graphic sexual dialogue, and some violence Running time: 90 mins. Viewed at Broadway Screening Room |

| Jailbait |





| © 2006 by C. E. Murphy. All Rights Reserved. |
