

One has to give writer-director Bart Freundlich credit for attempting new things with each of his feature films. THE MYTH OF FINGERPRINTS, his 1997 debut, focused on a dysfunctional family celebrating Thanksgiving (and who among us couldn't relate to that?). I think I was probably one of the few critics who praised his 2001 sophomore effort, WORLD TRAVELER. In fact, even though there were some minor flaws, I placed it on my Ten Best list, for which I caught a lot of flak. Now, five years later, Freundlich offers a gentle comedy of romance and marriage called TRUST THE MAN that isn't quite up to his best work, but still has a lot going for it, chiefly its strong cast. (I somehow missed his third movie, 2004's CATCH THAT KID.) TRUST THE MAN follows two Manhattan couples who are struggling in their relationships. There's movie star Rebecca (Julianne Moore, who happens to be Mrs. Freundlich offscreen) and her stay-at-home husband Tom (David Duchovny). Rebecca is a bundle of neurosis as she's preparing to return to the stage after success on the big screen. Despite (or perhaps) because of two children, the marriage has become stale. The couple make a yearly visit to a counsellor (Garry Shandling in a cameo appearance) and bicker over how much or how little sex they are having, depending on whose point of view. In contrast to them are Rebecca's younger brother Tobey (Billy Crudup), a man-child who lives with aspiring children's book writer Elaine (Maggie Gyllenhaal). Their long-term relationship is at an impasse because Elaine is feeling the ticking of her biological clock and Tobey -- well, he barely seems to be able to care for himself, let alone another person. Adding to the situation is the fact that Tom and Tobey are best friends. Freundlich has created four rather unique and amusing characters who aren't always admirable, but who are decidedly human. Reportedly, he wrote the roles for the actors who play them. As much as I love Julianne Moore's work, I do feel that comedy is not her strongest suit. She's terrific in the dramatic parts but when she's called on to shoulder the humor, she sometimes comes off a bit stiff. Duchovny manages to make the most of his role as a Mr. Mom-type who feels neglected by his spouse. Having given up a formerly high-powered career in advertising, he's content to spend his days chauffeuring the kids to school and surfing the Internet for porn. When a divorced mother (Dagmar Dominczyk) shows an interest, it's no wonder he responds. (As an in-joke, her son is played by Caleb Freundlich, the director and star's oldest child.) In support, Crudup offers his loosest on screen performance yet. He displays a goofy, amusing side that hasn't been evident in much of other work. He and Duchovny have a great rapport and are quite believable as best friends. Crudup also has great chemistry with Gyllenhaal, who shows a warmth that hasn't been as evident in much of her earlier work. TRUST THE MAN contains some nice moments, particularly an amusing dinner party, but it is marred by an ending that feels inconsistent with the rest of the movie. Rating: B - MPAA Rating: R for language and sexual content Running time: 101 mins. Viewed at the Fox Screening Room |
| Trust the Man |





| © 2006 by C. E. Murphy. All Rights Reserved. |


